Born in the Comoros islands into a family with many musicians, Nawal bathed in both popular and spiritual music from a young age, in her native islands and also in her new home in France. Between traditional and contemporary, Nawal's music weaves a rich dialogue of cultures, a reflection of the diverse character of life in the Comoros. Indo-Arabian-Persian music meets Bantu polyphonies, the syncopated rhythms and Sufi trance of the Indian Ocean. Nawal sings in Comoran languages, Arabic, Kiswahili, French and English. An acoustic roots-based fusion, her music is rhythmically compelling and beautifully lyrical. Known as the "Voice of Comoros," Nawal is also the first Comoran woman singer/songwriter and multi-instrumentalist to give performances in public. As a Muslim-born African woman who does not always adhere to traditional socio-religious codes, Nawal has faced many challenges in her career, yet she remains strong in her message and philosophy. Descending from the grand Sufi marabout of Comoros, El-Maarouf (1852-1904), Nawal invariably stays with the light of Islam founded upon love, respect and peace. In her music, she sings in favour of humanity, for education and for unity. Nawal has gained international praise as a self-produced artist with her powerful voice and socially progressive commentary. Nawal has performed professionally for 20 years, and as a multi-instrumentalist she plays the gambusi (Comoran banjo-like instrument, cousin to the oud), the dof (Iranian frame drum) and guitar, among others. "downright gorgeous music; a record that's going to become a long-term favourite." Aman CD Review, Ian Anderson, fROOTS, Oct 2007 "One of the most notable world music CDs released over the last year" Jon Pareles, New York Times, June 2007
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